

The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookies is used to store the user consent for the cookies in the category "Necessary". Musician Ryuichi Sakamoto, Experimental Jetset, and Berlin-based Korean sound artist Christine Sun Kim all contribute. RYUICHI SAKAMOTOS 1985 SYNTH AND AMBIENT ALBUM FEATURING YAS-KAZ AND ARTO LINDSAY IS. The cookie is used to store the user consent for the cookies in the category "Other. Ryuichi Sakamoto - Esperanto CD Edition from WEWANTSOUNDS, 12.00 USD. The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". showing relevant, targeted ads on and off our web propertiesĭetailed information can be found on our Privacy Policy page. We Want Sounds re-issue of Ryuichi Sakamotos 1985 proto-techno, electronic, and ambient album Esperanto which was originally composed for choreographer Molissa Fenleys dance performance. personalized search, content, and recommendations remembering privacy and security settings remembering account, browser, and regional preferences Naturally, I didn’t find the answer.” The piece ends with a shattering climax of crashing metal, chord progressions moving but not harmonizing around each other, and agonizing, unnerving moments of silence.The Vinyl Factory Group, trading as: The Vinyl Factory, Vinyl Factory Manufacturing, Phonica Records, FACT Magazine, FACT TV, Spaces Magazine, Vinyl Space, and The Store X, uses cookies and similar technologies to give you a better experience, enabling things like: So I asked myself what salvation was to me.
Produced and performed by Sakamoto with contribution by Arto Lindsay and Japanese percussionist Yas-Kaz, Esperanto is a fascinating instrumental work.#Esperanto ryuichi sakamoto series
“I felt there was a new crisis not to be able to save each other. Wewantsounds continues their Ryuichi Sakamoto reissue series with the release of the 1985 album Esperanto, composed for a performance by New York avant-garde choreographer Molissa Fenley.“I was very frustrated with watching the news of starvation in Africa in ’95,” he told CMJ when the recording of the work was released in the U.S. Laurie Anderson and David Sylvian open the piece with their own ruminations an extended passage of bittersweet strings follows. Its four sections terminate with “Salvation,” a wrenching investigation into the meaning of redemption. He also looked ahead with the new symphonic work Untitled 01. Ryuichi Sakamoto & David Sylvian: “Forbidden Colors” (1983)Īs the millennium approached, Sakamoto looked back on his career with 1996, reconfiguring works from his soundtracks for The Sheltering Sky, The Last Emperor, and other projects for a piano trio. Meanwhile, Sakamoto performed the song in various configurations over the decades, including a beautiful 2013 rendition with an amateur youth orchestra of survivors of the 2011 Tohoku earthquake and tsunami. “Behind the Mask” was a huge hit, with lyrics by the British poet Chris Mosdell, but its critique of alienation turned sour when it was covered in 1987 by celebrities including Eric Clapton and Phil Collins, who both had histories of anti-immigrant bigotry, or by Michael Jackson, who in 1982 turned it into a middling love song that went unreleased for almost 30 years. They were a more ironic Kraftwerk, perhaps, yet the politics rarely traveled well.

The trio formed the Yellow Magic Orchestra with the idea, Hosono said, “to take these western ideas of the exotic and subvert them.” It worked like gangbusters: YMO began international superstars, fusing Asian kitsch and innovative electronics. This content can also be viewed on the site it originates from.īy his mid-20s, Sakamoto was already a sought-after session musician in Tokyo when he took up with Haruomi Hosono, previously of the psyche-folk band Happy End and the country-tropical collective Tin Pan Alley, and the glam rocker Yukihiro Takahashi.
